Showing posts with label City and Guilds. Show all posts
Showing posts with label City and Guilds. Show all posts

Saturday, January 5, 2008

Ginkgos Circling

20"X20" click on the image for a closeup
The painted gingkos are finally Wunderundered and machine appliqued in place. I think they look like pollen grain under a microscope! I switched to this brown/purple batik instead of the royal blue. I really wanted to couch the glitzy Oliver Twist chartreuse yarn along the leaf edge. The blue would look too cheesy with glitzy trim. A little glitz goes a long way so the larger outcircle is stitched with 2 rayon threads, a bright yellow and lime. Shimmer without the glam. I also tried metallic thread with good stitching results. No stabilizer was needed to do this applique. Invisible thread was used in the bobbin and for couching.

Sunday, December 16, 2007

Very Scary Hawaiian Applique





Traditional Hawaiian applique is not for me! First of all, I blame the colour choice on Halloween - when I started this. The only thing I enjoyed about this activity was cutting out the 'snowflakes'. Even this I should have paid more attention to as my motif is very irregular from one quadrant to the next. My lack of excitement over this activity explains why it has sat with the last 3" of applique unfinished for 7 weeks!

Applique experiments:

1. Needle turn hand applique. I tried following the stitching line that we used to outline the motif and join the 2 layers of fabric together. It seemed like I was forever stopping applique stitching and taking out these basting line stitches. Once the stitches were removed there was no line to follow. I finished one quadrant using the needle turn method prescribed, and then decided to free myself to experiment with other options in the other quadrants.

2. I used the Kate Pasquini-Masopust technique of starching the fabric and ironing the shape over a piece of posterboard to create a nice smooth edge all ready to stitch. Of course the sharp corners and tiny pieces in my motifs were challenging but at least I could enjoy the hand work somewhat.

3. Heat n Bond fusing made for a very very lifeless, flat look. which would have to be salvaged with stitching or embellishment. Satin stitch makes it look factory made.

4. Raw edge applique was the closest I got to satisfaction. Once I trim the edges better, (need to get some nice sharp small scissors) I think it leaves the most interesting look.

This is one activity I would be happy to leave unfinished, but we have to do some echo quilting. I have heard that hand quilting is quite unpleasant on batik.

Now to get at my mola design which I am very excited about. The broderie perse ginkgo is also proving fun and I can't wait to get at the isometric exercise. I'm loving the photo I have chosen for the isometric colour exercise and English paper piecing exercise to follow.









Friday, November 9, 2007

Shape in a Fruit Jar



Under the duress of procrastination I finally got 10 ‘shape’ pictures to Catherine for the Module 3 City and Guild exercise. The shape images were to be found in our own homes and gardens- no cruising the internet for excellent and inspirational photos for this exercise! My yard, things and photographic skills just don’t thrill me. Or so I thought. It turns out that looking, really looking, and opening my mind to what I see leads to even more seeing. (I thought I knew that.)
The fruit jar photo session was a good lesson. I hauled my beans and rice jars out of the cupboard thinking the form of the jars and various sizes would take care of one shape photo. My first background was white, way too harsh for the light, but I noticed interesting overlapping jar shadows playing out on the white background. I'll explore that later.
The beans have curiously perfect shapes and colours. DNA is an amazing 3D photocopier. It’s usually best when DNA doesn’t get too creative. Now the beans interest me and I decide to take a photo from above, I’m thinking circle shapes are good, so off come the ill fitting zinc lids and glass tops. Imagine preserving food in these things for families of 13 hungry farm boys. The thought of the absolute necessity of preserving such copious quantities of the harvest to sustain a large family overwhelms me. Now I notice the glass tops have interesting and varied regal crowns. Some lids have stars and other pattern embossed. So I decide to photograph the whole lot. The glass has subtle hues of greens and blues and clear with different size bubbles capturing the breath of the glass blower. Yuck.
My dad collects fruit jars. He has all the more intensely coloured jars including at one point the much coveted brown ‘Pansy’. He would put them in the sunlight to bring out more colour. Coloured jars were distained by the farm wives of the day but coveted by collectors today. Now I realize I have a personal connection to these jars. So much for having nothing that interests me in my house.
Now on to the compost pile.